It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
You can never know what is and what is not powerful, but you can always find out what the powerful people are scared of. A state like China looks so powerful, but they are so scared of the Internet, so the Internet is more powerful than them.
I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
New York was not a romantic city at [80th]. Nobody knows who you are and you don't have to care about anybody else. It's a very cold city, I should say.
Of course, most luxury goods in China are for corrupted officials and their relatives. And that made China become the biggest luxury-goods market. In this kind of dictatorship, in this kind of totalitarian society, it is easy to make deals that you cannot make in a democratic society.
China and the U.S. are two societies with very different attitudes towards opinion and criticism. In China, I am constantly under surveillance. Even my slightest, most innocuous move can - and often is - censored by Chinese authorities.
I think China is laughing about the results of the presidential elections. China, Russia, they all laugh about it. They see how dramatic U.S. has to be put this kind of shame on its own - cannot handle the situation. Or show such a difficulty with this liberal ideas. Men or women created equal. And to defend those very essential ideas.
Whenever there is injustice, there is tension. But in China it is very hard to release your anger unless you burn yourself or you jump from a bridge. In a society where there is no freedom of the press, it is difficult for victims to be noticed.