There are many cases and layers of racist behavior in the US - from police treatment to the issues of education and job opportunities. In America, however, such cases are being discussed publically.
Of course, people will call you an old artist or young artist, which is just a character of you. But personally, I don't think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it's beyond my own consciousness.
You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
The motivation is really to say people can find the game of getting involved interesting and find the problem and really have the passion and the enthusiasm to solve it and move forward, but that's all I know.
If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.
I don't believe in the so-called Olympic spirit. I speak from personal experience. When China hosted the Games, it failed to include the people. The event was constructed without regard for their joy.
I'm not a writer, but today I think you have to be everything. As an artist you have an obligation to let people know what is on your mind and why you're doing this.
In the '80s, you couldn't walk in the neighborhood without looking back to see if anyone was following you. You had your key in your hand before you got to your apartment and you'd rush in so you didn't have to stop.
Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.