The leadership knows that you cannot solve the issues of China's future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state, the jobs for 7 million university graduates every year, the immense corruption: Even some Western governments would have to scramble to find solutions to such problems.
The importance of elections, transparency, legal procedures, an independent army, and the judicial system is not regarded as highly in China. These core values are the most important evidence of the health of a society, quality of life, and security. A clear understanding of such differences will help the rest of the world understand China and all that is happening to the nation.
I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.
For those actors and directors who produce films which are always about the old kingdom or about heroes, you know about the fantasies related to the classics, but there is no real discussion about today's life and no discussion of the real conditions - which is really sickening. They've become part of a conspiracy, collaborators of the crime, which is lying to the general public and trying to hide the kind of criminal acts happening in many cases.
We live in changing times, and many people experience the challenges that come with it. In the face of uncertain futures, no one will know what to expect.
Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.