My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics. The intention to separate art from politics is itself a very political intention.
The [China] government has improved in the last years. Of course, the structure is still the same; there's still a one-party system and strong censorship.
Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster. It's like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we'll be going backward.
My image of what a city should be - the super-rich and all the poor and desperate and the people who have some kind of a desire. It's a surviving game, people trying to survive on many different levels.
I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that's the true crime.
It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.
I was in the most restricted prison in China, the most tough. The design of the prison is modeled for internal crimes of the Communist party, so it's like a mafia family's law. It's independent to the law this nation openly applies. It's the place they take you before they give you over to the judicial system. You stay there for a year or two and they make you really suffer to confess everything.
If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I'm saying is common sense. It's very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
China didn't want to lose the cutting edge of technology. So the idea of having a Sina Weibo was an attempt to compete with Twitter. However, it has no soul - which is freedom of expression. Nevertheless, I think the government regrets having Sina Weibo, but they cannot shut it down. That would definitely be suicidal.
How to become a really modern society when today we are so - as a human being, we feel so powerful. We have high technology and a superb way of controlling our life. And at the same time, in many ways we are so primitive. We are not on - even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.