Every fact is related on one side to sensation, and, on the other, to morals. The game of thought is, on the appearance of one of these two sides, to find the other: given the upper, to find the under side.
I don't mind people trying to pick apart my policies, and that's fine and that's fair game. But, you know, I don't think we're serving our nation well by allowing the discourse to become so uncivil that people use words that they shouldn't be using.
You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
I don't mind people trying to pick apart my policies, and that's fine and that's fair game. But, you know, I don't think we're serving our nation well by allowing the discourse to become so uncivil that people use words that they shouldn't be using.
Battledore and shuttlecock's a wery good game, vhen you an't the shuttlecock and two lawyers the battledores, in which case it gets too exciting to be pleasant.
The higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by all the elaborate frivolity of chess.