Acting is about giving something away, handing yourself over to whatever role you are asked to play. I'm not hiding or escaping or seeking anonymity. I reserve the right not to have a rubber stamp on my forehead saying this is who I am. Because who I am gets in the way of people looking innocently at the parts I play.
I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
Do you know that moment when you paint a landscape as a child and, when you're maybe under seven or something, the sky is just a blue stripe across the top of the paper? And then there's that somewhat disappointing moment when the teacher tells you that the sky actually comes down in amongst all the branches. And it's like life changes at that moment and becomes much more complicated and a little bit more boring, as it's rather tedious to fill in the branches.
There's, like, marks next to an actor's name or something, and boy does that go up and down! Somewhere in there, which always causes my mate Miss Ruby Wax great hilarity, I was offered a biopic of Frank Sinatra. Even I knew that was a bad idea! They'll throw anything at you at certain times. So, you know, to thine own self be true.