Like a fiend in a cloud,
With howling woe,
After night I do crowd,
And with night will go;
I turn my back to the east,
From whence comforts have increased;
For light doth seize my brain
With frantic pain.
LOVE'S SECRET Never seek to tell thy love, Love that never told can be; For the gentle wind doth move Silently, invisibly. I told my love, I told my love, I told her all my heart, Trembling, cold, in ghastly fears. Ah! she did depart! Soon after she was gone from me, A traveller came by, Silently, invisibly: He took her with a sigh.
To me this world is all one continued vision of fancy or imagination, and I feel flattered when I am told so. What is it sets Homer, Virgil and Milton in so high a rank of art? Why is the Bible more entertaining and instructive than any other book? Is it not because they are addressed to the imagination, which is spiritual sensation, and but immediately to the understanding or reason?
I turn my eyes to the schools & universities of Europe And there behold the loom of Locke whose woof rages dire, Washed by the water-wheels of Newton. Black the cloth In heavy wreaths folds over every nation; cruel works Of many wheels I view, wheel without wheel, with cogs tyrannic Moving by compulsion each other: not as those in Eden, which Wheel within wheel in freedom revolve, in harmony & peace.
I am more famed in Heaven for my works than I could well conceive. In my brain are studies & chambers filled with books & pictures of old, which I wrote and painted in ages of Eternity before my mortal life; and whose works are the delight & study of Archangels. Why, then, should I be anxious about the riches or fame of mortality?
Colouring does not depend on where the colours are put, but on where the lights and darks are put, and all depends on form and outline, on where that is put.