For by superior energies; more strict affiance in each other; faith more firm in their unhallowed principles, the bad have fairly earned a victory over the weak, the vacillating, inconsistent good.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
Here must thou be, O man, Strength to thyself - no helper hast thou here - Here keepest thou thy individual state: No other can divide with thee this work, No secondary hand can intervene To fashion this ability. 'Tis thine, The prime and vital principle is thine In the recesses of thy nature, far From any reach of outward fellowship, Else 'tis not thine at all.
Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn
Of all that is most beauteous, imaged there In happier beauty; more pellucid streams, An ampler ether, a diviner air, And fields invested with purpureal gleams.
By all means sometimes be alone; salute thyself; see what thy soul doth wear; dare to look in thy chest; and tumble up and down what thou findest there.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, An appetite; a feeling and a love that had no need of a remoter charm by thought supplied, nor any interest Unborrowed from the eye.