Where art thou, beloved To-morrow?
When young and old, and strong and weak,
Rich and poor, through joy and sorrow,
Thy sweet smiles we ever seek,--
In thy place--ah! well-a-day!
We find the thing we fled--To-day!
How sweet and soothing is this hour of calm! I thank thee, night! for thou has chased away these horrid bodements which, amidst the throng, I could not dissipate; and with the blessing of thy benign and quiet influence now will I to my couch, although to rest is almost wronging such a night as this.
English Bohemianism is a curiously unluscious fruit. ... Inside this hothouse, huge lascivious orchids slide sensuously up the sweating windows, passion-flowers cross-pollinate in wild heliotrope abandon, lotuses writhe with poppies in the sweet warm beds, kumquats ripen, open and plop flatly to the floor-and outside, in a neat, trimly-hoed kitchen-garden, English bohemians sit in cold orderly rows, like carrots.
Sweet and low, sweet and low, Wind of the western sea, Low, low, breathe and blow, Wind of the western sea! Over the rolling waters go, Come from the dying moon, and blow, Blow him again to me; While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest, Father will come to thee soon; Rest, rest, on mother's breast, Father will come to thee soon; Father will come to his babe in the nest, Silver sails all out of the west Under the silver moon: Sleep, my little one, sleep, my pretty one, sleep.
Then from the world all spirituality will be extinct, all moral perfection will be extinct, all sweet-souled sympathy for religion will be extinct, all ideality will be extinct; and in its place will reign the duality of lust and luxury as the male and female deities, with money as its priest, fraud, force, and competition its ceremonies, and the human soul its sacrifice. Such a thing can never be.
For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
The woods are hush'd, their music is no more; The leaf is dead, the yearning past away; New leaf, new life--the days of frost are o'er; New life, new love, to suit the newer day: New loves are sweet as those that went before: Free love--free field--we love but while we may.
[L]ike thee to those in sorrow, Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring, Through the winter wandering, Found, it seems, the halcyon Morn To hoar February born.
Death darkens his eyes, and unplumes his wings, Yet the sweetest song is the last he sings: Live so, my Love, that when death shall come, Swan-like and sweet it may waft thee home.
O sweet everlasting Voices, be still;
Go to the guards of the heavenly fold
And bid them wander obeying your will,
Flame under flame, till Time be no more.
Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple tree.
Come unto these yellow sands, And then take hands. Curtsied when you have and kissed The wild waves whist, Foot is featly here and there; And, sweet sprites, the burden bear. Ariel's song, scene II, Act I
Oft as by chance, a little while apart The pall of empty, loveless hours withdrawn, Sweet Beauty, opening on the impoverished heart, Beams like a jewel on the breast of dawn.
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.