When forced to work within a strict framework, the imagination is taxed to its utmost and will produce its richest ideas. Given total freedom, the work is likely to sprawl.
Maybe [success] is because I'm in China and I'm more open. Maybe it's my independent behavior, or because I participated in certain projects. I have no idea.
I had no idea of the enormous and unquestionably helpful part that humbug plays in the social life of great peoples dwelling in a state of democratic freedom.
We but half express ourselves, and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards.
I don't want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won't deal with it. If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.
Women overrate the influence of fine dress and the latest fashions upon gentlemen; and certain it is, that the very expensiveness of such attire frightens the beholder from all ideas of matrimony.
We owed so much to Herbert's ever cheerful industry and readiness, that I often wondered how I had conceived that old idea of his inaptitude, until I was one day enlightened by the reflection, that perhaps the inaptitude had never been in him at all, but had been in me.
The value of an idea has nothing whatsoever to do with the sincerity of the man who expresses it. Indeed, the probabilities are that the more insincere the man is, the more purely intellectual will the idea be, as in that case it will not be coloured by either his wants, his desires, or his prejudices.
The urge to create a fictional narrative is a mysterious one, and when an idea comes, the writer's sense of what a story wants to be is only vaguely visible through the penumbra of inspiration.
Making music videos, I try to bring musicians into the logistics of filmmaking, and I try to preserve whatever's of value and achievable in their idea. If it's something I can't achieve, I tell them straight. You want to make sure that the artist really loves the idea and is committed to it, otherwise they're not going to feel great when they're up there miming it.
If you invent two or three people and turn them loose in your manuscript, something is bound to happen to them -- you can't help it; and then it will take you the rest of the book to get them out of the natural consequences of that occurrence, and so first thing you know, there's your book all finished up and never cost you an idea.
People make suggestions on what to say all the time. I'll give you an example; I don't read what's handed to me. People say ''Here, here's your speech, or here's an idea for a speech.'' They're changed. Trust me.
...there is no resistance to the idea that what is foreign can be known. Can be understood. Can be held in the embrace of love that holds the Universe. Given this Earth on which we live and grow, given its beauty and generosity, its majesty and comfort, how can one doubt that one is loved? That in fact there is an abundance, not a scarcity of love? It is all anyone ever wants, really, I believe, and it is all around us as we starve.
It is easy to see that the inventor of the heaven did not originate the idea, but copied it from the show-ceremonies of some sorry little sovereign State up in the back settlements of the Orient somewhere.