Has anyone...any distinct notion of what poets of a stronger age understood by the word inspiration? ... There is an ecstasy such that the immese strain of it is sometimes relaxed by a flood of tears, along with which one's steps either rush or involuntarily lag, alternately. There is the feeling that one is completely out of hand, with the very distinct consciousness of an endless number of fine thrills and quiverings to the very toes... Everything happens quite involuntarily, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity.
... art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live.
Natural death is independent of all reason and is really an irrational death, in which the pitiable substance of the shell determines how long the kernel is to exist or not; in which, accordingly, the stunted, diseased and dull witted jailer is lord, and indicates the moment at which his distinguished prisoner shall die.
The enjoyment that all morality has given us to now and that it continues to give us--and so, what has kept it going up to now--lies in everyone's right, without lengthy investigation, to praise and blame. And who could endure life without praising and blaming!
And it is the great noon when man stands at the midpoint of his course between beast and superman and celebrates his way to the evening as his highest hope: for it is the way to a new morning.