What can we know? What are we all? Poor silly half-brained things peering out at the infinite, with the aspirations of angels and the instinct of beasts.
At least you are mine! Soon – in a few months, perhaps, my angel will sleep in my arms, will awaken in my arms, will live there. All your thought at all moments, all your looks will be for me; all my thought, all my moments, all my looks will be for you!
Angels and ministers of grace defend us!
Be thou a spirit of health, or goblin damn'd,
Bring with thee airs from heaven, or blasts from hell,
Be thy intents wicked, or charitable,
Thou com'st in such a questionable shape,
That I will speak to thee.
Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
O why did God, Creator wise, that peopled highest heav'n With Spirits masculine, create at last This novelty on earth, this fair defect Of nature, and not fill the world at once With men as angels without feminine, Or find some other way to generate Mankind?
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.