HIP-HOP HAS DIFFERENT ELEMENTS DEALING WITH MUSIC, RAP, GRAFFITI ART, B-BOYS (WHAT YOU CALL BREAK BOYS)... AND ALSO DEALING WITH CULTURE, AND A WHOLE MOVEMENT DEALING WITH WISDOM AND UNDERSTANDING, AS WELL AS PEACE UNITY AND FUN.
Everybody wants to make some money, but they really love what they do. You got others who are just "money, money, money," and fast life and women and everything. They go a whole other route. That's a fight of good vs. evil. A balance. It seems that more of these stations are pushing a negative side instead of keeping a balance, and to me, that's a conspiracy that's going on all over the planet.
If you see something is going wrong within politics and the world today, then some Hip Hop artist is gonna come along and get straight with it. If they think that there's a lot of racism going on then there's another Hip Hop artist who's gonna come out and speak their mind.
There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.
Don't get caught up on 'I'm brown, black, white, red, blue, whatever.' You gotta ask, what were you called before 1492? All these names we're using now are just an illusion made to keep us fighting each other.
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
Hip-hop has crossed many boundaries and racial barriers, broken them down for people to come together, to listen to the music or come out of their own social ills in each of the countries that it has went to. Thanks to my traveling, and keeping up from place to place, and pushing our ideology - peace, love, unity, and having fun - it has worked.
We also want to try and slow down all this foolishness that's going on between the East and West. We gotta understand that Hip Hop is now universal. Hip Hop is not East coast or West coast.
They allow us to disrespect our Black woman. A lot of these things would be considered criminal if it were to be carried out in the streets. That's like when they tell you after you buy your VHS and you rent movies they tell you not to copy the movies.
I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records.
That's definitely my goal, and always has been through the Universal Zulu Nation, is to show that music breaks down all that foolishness and can bring all types of people together, especially when you can mix it and shape it. That's the beauty of sampling: taking the old sound and recreating it and making something new, or bringing back the old sounds, mixed with some heavy grooves and beats, so people can remember. "Oh, I remember that, back in the day."
Powers that be can't stay in control if you have everybody in love and in tune with each other and with the planet, and in tune with the electrons and the dark matter that's moving at the speed of light. That won't work in their interest. They gotta get you ready for your microchip.
Record industry's not so much against artists, but certain people are just wicked people that sit up in the industry who go against the artist. The thing is, if you're in the recording business, where's our health benefits? Where's the royalties from when you put stuff on labels in different countries? And now, with all these 500 cable channels, you want your mechanical royalties, your licensing. There's so much technology that you've got to stay on top. They always try to tell you, "Oh, don't worry about the business side, just do the music."
There are so many millions of records out there, you should always be playing old and new together. This way, people can respect what the early elders of certain musical tastes have given to what we are now, and where we're going in the future. I don't care if it's rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
Hip-hop went through different stages, from the beginning in the streets of the Bronx, to the whole Tri-State area and then to the rest of the United States and the rest of the world.