What is the future? What is the past? What are we? What is the magic fluid that surrounds us and conceals the things we most need to know? We live and die in the midst of marvels.
This rough magic I here abjure and when I have required some heavenly music, which even now I do, to work mine end upon their senses that this airy charm is for, I'll break my staff, bury it certain fathoms in the earth, and deeper than did ever plummet sound, I'll drown my book.
Disneyworld... is a historical reconstruction as sanitised as the Kremlin's, and a future vision as uncognisant of contemporary pointers as Peter Pan's. It is a magic carpet under which everything has been swept.
There's something about when humanity goes from hoping they get lucky in finding something fermented to doing it on purpose. They don't understand what they've done until the late 1800s, but they know if they combine things in a certain way, they'll get something magic.
Videos are tricky because stuff sounds amazing on paper and it seems like it's going to be this mystical experience and you're going to look back and go, "Wow, that was magic." But more times than not, it doesn't end up that way, so I never know what I'm going to get.
Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation. It's been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.
I'm fanatical about movies: African, European, Viking, Roman. I got into witchcraft and magic from watching 'Bewitched' and 'The Wizard of Oz,' which shows in some of my outfits. I dress to reflect the whole spectrum of the universe.
Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fill a movie screen.