Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
I find it's too much for me to read endless critiques, even if we're being well-defended, of exactly what we're doing. When someone tells us something we're doing wrong on the boards, we try to respond, we try to be responsive to the fan boards, but yeah, I can't read them.
If Democrats are not showing up in those [rural] places even if you're not gonna win right away but if you're not in there at least making an argument that, "Hey, you know what? It's the Democrats who are trying to raise your minimum wage."
I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I destroy all the better paintings.
The Planned Parenthood 7" project is an example of us putting our noses to the grindstone on and trying to make a little difference. Working on that was my way of handling my own emotions about Donald Trump. I was talking about politics for so long, I just kind of ran out of juice on that.
If you look at how I've tried to and how I'll continue to try to govern, I'm not driven by some ideological agenda. I'm a pretty practical guy and I just want to make sure that things work.