The Vedas teach that the soul is divine, only held in the bondage of matter; perfection will be reached when this bond will burst, and the word they use for it is, therefore, Mukti - freedom, freedom from the bonds of imperfection, freedom from death and misery.
Rhythm and melody enter into the soul of the well-instructed youth and produce there a certain mental harmony hardly obtainable in any other way. . . . thus music, too, is concerned with the principles of love in their application to harmony and rhythm.
And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps, Plastic and vast, one intellectual breeze, At once the soul of each, and God of all?
I consist of body and soul - in the worlds of a child. And why shouldn't we speak like children? But the enlightened, the knowledgealbe would say: I am body through and through, nothing more; and the soul is just a word for something on the body.
The observer of the soul cannot penetrate into the soul, but there doubtless is a margin where he comes into contact with it. Recognition of this contact is the fact that even the soul does not know of itself. Hence it must remain unknown. That would be sad only if there were anything apart from the soul, but there is nothing else.
The soul is the cause or source of the living body. The terms cause and source have many senses. But the soul is the cause of its body alike in all three senses which we explicitly recognize. It is (a) the source or origin of movement, it is (b) the end, it is (c) the essence of the whole living body.
It is so much more difficult to live with one's body than with one's soul. One's body is so much more exacting: what it won't have it won't have, and nothing can make bitter into sweet.