To see the butcher slap the steak before he laid it on the block, and give his knife a sharpening, was to forget breakfast instantly. It was agreeable too - it really was - to see him cut it off so smooth and juicy. There was nothing savage in the act, although the knife was large and keen; it was a piece of art, high art; there was delicacy of touch, clearness of tone, skilful handling of the subject, fine shading. It was the triumph of mind over matter; quite.
The more horses you yoke the quicker everything will go - not the rending of the block from its foundation, which is impossible, but the snapping of the traces and with that the gay and empty journey.
I think you can train yourself to block out some of that pressure and replace it with confidence. It's about preparation, and the more prepared I am, the less pressure I feel and the more confident I am. As your confidence grows, it's only natural that the pressure you feel diminishes.
Its authors meant it to be... a stumbling block to those who in after times might seek to turn a free people back into the hateful paths of despotism. They knew the proneness of prosperity to breed tyrants, and they meant when such should re-appear in this fair land and commence their vocation they should find left for them at least one hard nut to crack.
You are saying, are you not, I said to Manuelito, that stories have more room in them than ideas? [...] He laughed. That is correct, Señor. It is as if ideas are made of blocks. Rigid and hard. And stories are made of a gauze that is elastic. You can almost see through it, so what is beyond is tantalizing. You can't quite make it out; and because the imagination is always moving forward, you yourself are constantly stretching. Stories are the way spirit is exercised.