I used to wanna rap like Jay-Z,
Now I feel I could run laps around Jay-Z,
Nas ain't seen nothing this nasty,
B.I.G. & Pac got it coming when I pass too.
You got the mic, I ain't the one you wanna pass to
I got a head full of headaches, a heart that's full of woes.
I'm constantly singin' them down home blues, and not many people knows
That leaves me with a twisted view of the whole wide world as I know it...
And I guess I got no choice but to be a poet.
City lights shine bright on my complexion,
Self-reflection...red hairs flashing at the intersection.
Life is a green light, one star, no script,
Supporting actors...fresh peaches, no pit.
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
I would love to be friends with Kendrick Lamar because I am just a huge fan of his music, I think he is so cool and he uses so many interesting sounds and has such good melodies and is just a beautiful rapper, his raps are just so well-written and his tracks are so insane, I am obsessed with him.
It's a joke to think that anyone is one thing. We're all such complex creatures. But if I'm going to be a poster child for anything, anger's a gorgeous emotion. It gets a bad rap, but it can make great changes happen.
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life. Relatively few are free enough from the spell of the daily routine to respond to rappings from outside, and tales of ordinary feelings and events, or of common sentimental distortions of such feelings and events, will always take first place in the taste of the majority; rightly, perhaps, since of course these ordinary matters make up the greater part of human experience.