Ornate rhetorick taught out of the rule of Plato.... To which poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous, and passionate.
Socrates and Plato are right: whatever man does he always does well, that is, he does that which seems to him good (useful) according to the degree of his intellect, the particular standard of his reasonableness.
Beauty of style and harmony and grace and good rhythm depend on simplicity - I mean the true simplicity of a rightly and nobly ordered mind and character, not that other simplicity which is only a euphemism for folly.
The orators and the despots have the least power in their cities ... since they do nothing that they wish to do, practically speaking, though they do whatever they think to be best.
It is in the stomach of plants that development begins, and ends in the circles of the universe. 'Tis a long scale from the gorilla to the gentleman,--from the gorilla to Plato, Newton, Shakespeare,--to the sanctities of religion, the refinements of legislation, the summit of science, art, and poetry. The beginnings are slow and infirm, but it is an always accelerated march.
The light dove, in free flight cutting through the air the resistance of which it feels, could get the idea that it could do even better in airless space. Likewise, Plato abandoned the world of the senses because it posed so many hindrances for the understanding, and dared to go beyond it on the wings of the ideas, in the empty space of pure understanding.
And first he will see the shadows best, next the reflections of men and other objects in the water, and then the objects themselves, then he will gaze upon the light of the moon and the stars and the spangled heaven...Last of all he will be able to see the sun.