There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is the most important of all to reach the heart of the reader.
In the life of every man there are sudden transitions of feeling, which seem almost miraculous. At once, as if some magician had touched the heavens and the earth, the dark clouds melt into the air, the wind falls, and serenity succeeds the storm. The causes which produce these changes may have been long at work within us, but the changes themselves are instantaneous, and apparently without sufficient cause.
Love does not ask many questions, because with thinking comes fear. This might be the fear of being scorned, of being rejected, or of breaking the spell. However ridiculous this may seem, that is how it is. This is why one does not ask, one acts.
Sometimes an unimportant incident is capable of turning everything beautiful into a moment of anxiety. We insist on seeing the mote in the eye and forget about the mountains, the fields and the olive groves.
Death. The certain prospect of death could sweeten every life with a precious and fragrant drop of levity- and now you strange apothecary souls have turned it into an ill-tasting drop of poison that makes the whole of life repulsive.
Everything tells me that I am about to make a wrong decision, but making mistakes is just part of life. What does the world want of me? Does it want me to take no risks, to go back to where I came from because I didn't have the courage to say "yes" to life?