The nice thing about being on stage is it's not that I know what to do, but I have a very clear feeling that anything I do is OK. All I'm up there to do is express how I feel. Any way I choose to do that is fine.
I can remember being eight years old and having infinite possibilities. But life ends up being so much less that we thought it would be when we were kids, with relationships that are so empty and stupid and brutal. If you don't find a way to break the chain and change in some way, then you wind up, as the rhyme goes: a murder of one, for sorrow.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
But what you realise after you've been in the business for a while is that people develop opinions about you that don't have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record.
Closeness to another person is like a fear of falling off a building to me. It's really, like, physically painful, and it's a brand of crazy I don't appreciate having.
I've spent most of my life living in cities where people are obsessed with looking down on people from everywhere else. You get so used to doing it that you start to believe it's simply what everyone does. It makes for an atmosphere of unwelcome that penetrates much of our modern life. It's a shame really because a couple days in Oklahoma will open your eyes to how much better it would be if the rest of the country was filled with a few more people from Oklahoma.