I tend to enunciate pretty well. It's always seemed that my voice is one of those voices that people can recognize pretty easily - which has been a bit of a drawback for some characters because you're supposed to lose yourself in the character, but sometimes people look at a character and go "Oh, it's 'Weird Al.'"
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones'?'
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
It becomes more important to me as time goes on to make every album the best thing I've ever done, so it's a lot of self-imposed pressure that also kind of slows me down a bit.
One of the hardest things I've had to deal with in my career is keeping my material topical even though I only release albums every three or four years.
In a genre where most of the artists are one-hit wonders, I've been able to hang around longer than most "serious" acts. I pride myself in being a very talented leech.