Not very good with death? Father was a military man, and military men lived with death; lived for death; lived on death. To a professional soldier, oddly enough, death was life.
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England.
Growing up in a Canadian household that was more British than Big Ben, I dreamed of flying to England myself and visiting the places my family never tired of talking about. I always woke up before the plane landed.
If you remember nothing else, remember this: Inspiration from outside one's self is like the heat in an oven. It makes passable Bath buns. But inspiration from within is like a volcano: It changes the face of the world.
I'm at that age where I watch such things with two minds, one that cackles at these capers and another that never gets much beyond a rather jaded and self-conscious smile, like the Mona Lisa.
My grandmother flew only once in her life, and that was the day she and her new husband ascended into the skies of Victorian London in the wicker basket of a hot-air balloon. They were soon to emigrate to Canada, and the aerial ride was meant to be a last view of their beloved England.
Except I'm aware that as a writer you can't get away with as much writing for children as you can with adults. Children have much more finely tuned senses of justice, morals, and ethics. They are much more Platonic: children are symmetrical, before we begin to fragment them with our own nonsensical ideas and squelch their natural joy in knowledge.