He looked at her as a man might look at a faded flower he had plucked, in which it was difficult for him to trace the beauty that had made him pick and so destroy it
I have nothing to make me miserable," she said, getting calmer; "but can you understand that everything has become hateful, loathsome, coarse to me, and I myself most of all? You can't imagine what loathsome thoughts I have about everything." "Why, whatever loathsome thoughts can you have?" asked Dolly, smiling. "The most utterly loathsome and coarse; I can't tell you. It's not unhappiness, or low spirits, but much worse. As though everything that was good in me was all hidden away, and nothing was left but the most loathsome.
Pierre was right when he said that one must believe in the possibility of happiness in order to be happy, and I now believe in it. Let the dead bury the dead, but while I'm alive, I must live and be happy.
Ivan Ilych saw that he was dying, and he was in continual despair. In the depth of his heart he knew he was dying, but not only was he not accustomed to the thought, he simply did not and could not grasp it. The syllogism he had learnt from Kiesewetter's Logic: "Caius is a man, men are mortal, therefore Caius is mortal," had always seemed to him correct as applied to Caius, but certainly not as applied to himself. That Caius - man in the abstract - was mortal, was perfectly correct, but he was not Caius, not an abstract man, but a creature quite, quite separate from all others.
I am sure that nothing has such a decisive influence upon a man's course as his personal appearance, and not so much his appearance as his belief in its attractiveness or unattractiveness.
In the evolution of knowledge-mistaken and unnecessary beliefs are forced out and supplanted by truer and more necessary knowledge. So too in the evolution of feelings, which takes place by means of art. Lower feelings-less kind and less needed for the good of humanity-are forced out and replaced by kinder feelings which better serve us individually and collectively. This is the purpose of art.
The error arises from the learned jurists deceiving themselves and others, by asserting that government is not what it really is, one set of men banded together to oppress another set of men , but, as shown by science, is the representation of the citizens in their collective capacity.