Power, like a desolating pestilence, Pollutes whate'er it touches; and obedience, Bane of all genius, virtue, freedom, truth, Makes slaves of men, and of the human frame A mechanized automaton.
It is only by softening and disguising dead flesh by culinary preparation that it is rendered susceptible of mastication or digestion, and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.
And the rose like a nymph to the bath addrest,
Which unveiled the depth of her glowing breast,
Till, fold after fold, to the fainting air,
The soul of her beauty and love lay bare.
So soon as this want or power [of love] is dead, man becomes the living sepulchre of himself, and what yet survives is the mere husk of what once he was.
Woe is me!
The winged words on which my soul would pierce
Into the heights of love's rare universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire.
When you can discover where the fresh colors of the faded flower abide, or the music of the broken lyre, seek life among the dead. Such are the anxious and fearful contemplations of the common observer, though the popular religion often prevents him from confessing them even to himself.
O'er Egypt's land of memory floods are level, And they are thine, O Nile! and well thou knowest The soul-sustaining airs and blasts of evil, And fruits, and poisons spring where'er thou flowest.