He's a great writer. If I didn't think so I wouldn't have tried to kill him... I was the champ and when I read his stuff I knew he had something. So I dropped a heavy glass skylight on his head at a drinking party. But you can't kill the guy. He's not human.
I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.
He had always known what I did not know and what, when I learned it, I was always able to forget. But I did not know that then, although I learned it later.
And if there is not any such thing as a long time, nor the rest of your lives, nor from now on, but there is only now, why then now is the thing to praise and I am very happy with it.
But in the night he woke and held her tight as though she were all of life and it was being taken from him. He held her feeling she was all of life there was and it was true.
I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it.
I spend a hell of a lot of time killing animals and fish so I wouldn't kill myself. When a man is in rebellion against death, as I am in rebellion against death, he gets pleasure out of taking to himself one of the godlike attributes; that of giving it.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.