Every man takes the limits of his own field of vision for the limits of the world. This is an error of the intellect as inevitable as that error of the eye which lets you fancy that on the horizon heaven and earth meet.
Whether we are in a pleasant or a painful state depends, finally, upon the kind of matter that pervades and engrosses our consciousness and what we compare it to - better and we envious and sad, worse and we feel grateful and happy.
Opinion is like a pendulum and obeys the same law. If it goes past the centre of gravity on one side, it must go a like distance on the other; and it is only after a certain time that it finds the true point at which it can remain at rest.
To repeat abstractly, universally, and distinctly in concepts the whole inner nature of the world , and thus to deposit it as a reflected image in permanent concepts always ready for the faculty of reason , this and nothing else is philosophy.
Astrology furnishes a splendid proof of the contemptible subjectivity of men in consequence whereof they refer everything to themselves and from every idea at once go straight back to themselves. Astrology refers the course of celestial bodies to the miserable ego; it also establishes a connection between the comets in heaven and the squabbles and rascalities on earth.
Truth that is naked is the most beautiful, and the simpler its expression the deeper is the impression it makes; this is partly because it gets unobstructed hold of the hearer’s mind without his being distracted by secondary thoughts, and partly because he feels that here he is not being corrupted or deceived by the arts of rhetoric, but that the whole effect is got from the thing itself.
The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.
There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. The first kind have had thoughts or experiences which seem to
them worth communicating, while the second kind need money and consequently write for money.
Reason deserves to be called a prophet; for in showing us the consequence and effect of our actions in the present, does it not tell us what the future will be?
Still, instead of trusting what their own minds tell them, men have as a rule a weakness for trusting others who pretend to supernatural sources of knowledge.
We see in tragedy the noblest men, after a long conflict and suffering, finally renounce forever all the pleasure of life and the aims till then pursued so keenly, or cheerfully and
willingly give up life itself.