Faster than fairies, faster than witches,
Bridges and houses, hedges and ditches;
And charging along like troops in a battle,
All through the meadows the horses and cattle
The seeming significance of nature's appearances, their unchanging strangeness to the senses, and the thrilling response which they awaken in the mind of man . . . If we could only write near enough to the facts, and yet with no pedestrian calm, but ardently, we might transfer the glamour of reality direct upon our pages.
The bourgeoisie's weapon is starvation. If as a writer or artist you run counter to their narrow notions they simplyand silently withdraw your means of subsistence. I sometimes wonder how many people of talent are executed in this way every year.
[T]he kingdom of heaven is of the childlike, of those who are easy to please, who love and who give pleasure. Mighty men of their hands, the smiters and the builders and the judges, have lived long and done sternly and yet preserved this lovely character; and among our carpet interests and twopenny concerns, the shame were indelible if we should lose it. Gentleness and cheerfulness, these come before all morality; they are the perfect duties.
He is not easy to describe. There is something wrong with his appearance; something displeasing, something downright detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point. He’s an extraordinary-looking man, and yet I really can name nothing out of the way. No sir; I can make no hand of it; I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.
A man met a lad weeping. "What do you weep for?" he asked. "I am weeping for my sins," said the lad. "You must have little to do," said the man. The next day, they met again. Once more the lad was weeping. "Why do you weep now?" asked the man. "I am weeping because I have nothing to eat," said the lad. "I thought it would come to that," said the man.
When I was a boy, I was a bit puzzled, and hardly knew weather it was myself or the world that was curious and worth looking into. Now I know that it is myself, and stick to that.
Night is a dead monotonous period under a roof; but in the open world it passes lightly, with its stars and dews and perfumes, and the hours are marked by changes in the face of Nature. What seems a kind of temporal death to people choked between walls and curtains, is only a light and living slumber to the man who sleeps afield.