By all means sometimes be alone; salute thyself; see what thy soul doth wear; dare to look in thy chest; and tumble up and down what thou findest there.
Stay, little cheerful Robin! stay, And at my casement sing, Though it should prove a farewell lay And this our parting spring. * * * * * Then, little Bird, this boon confer, Come, and my requiem sing, Nor fail to be the harbinger Of everlasting spring.
A soul so pitiably forlorn, If such do on this earth abide, May season apathy with scorn, May turn indifference to pride; And still be not unblest- compared With him who grovels, self-debarred From all that lies within the scope Of holy faith and christian hope; Or, shipwrecked, kindles on the coast False fires, that others may be lost.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
Here must thou be, O man, Strength to thyself - no helper hast thou here - Here keepest thou thy individual state: No other can divide with thee this work, No secondary hand can intervene To fashion this ability. 'Tis thine, The prime and vital principle is thine In the recesses of thy nature, far From any reach of outward fellowship, Else 'tis not thine at all.
It is a beauteous evening, calm and free, The holy time is quiet as a nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the sea: Listen! the mighty being is awake, And doth with his eternal motion make A sound like thundereverlastingly.