In that sweet mood when pleasure loves to pay
Tribute to ease; and, of its joy secure,
The heart luxuriates with indifferent things,
Wasting its kindliness on stocks and stones,
And on the vacant air.
Of all that is most beauteous, imaged there In happier beauty; more pellucid streams, An ampler ether, a diviner air, And fields invested with purpureal gleams.
That though the radiance which was once so bright be now forever taken from my sight. Though nothing can bring back the hour of splendor in the grass, glory in the flower. We will grieve not, rather find strength in what remains behind.
Happier of happy though I be, like them I cannot take possession of the sky, mount with a thoughtless impulse, and wheel there, one of a mighty multitude whose way and motion is a harmony and dance magnificent.
The tears into his eyes were brought, And thanks and praises seemed to run So fast out of his heart, I thought They never would have done. -I've heard of hearts unkind, kind deeds With coldness still returning; Alas! the gratitude of men Hath oftener left me mourning.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.