It is a beauteous evening, calm and free, The holy time is quiet as a nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the sea: Listen! the mighty being is awake, And doth with his eternal motion make A sound like thundereverlastingly.
Blessings be with them, and eternal praise, Who gave us nobler loves, and nobler cares!- The Poets, who on earth have made us heirs Of truth and pure delight by heavenly lays.
Bright was the summer's noon when quickening steps
Followed each other till a dreary moor
Was crossed, a bare ridge clomb, upon whose top
Standing alone, as from a rampart's edge,
I overlooked the bed of Windermere,
Like a vast river, stretching in the sun.
I have felt a presence that disturbs me with the joy of elevated thoughts; a sense sublime of something far more deeply interfused, whose dwelling is the light of setting suns, and the round ocean, and the living air, and the blue sky, and in the mind of man.
On Man, on Nature, and on Human Life, Musing in solitude, I oft perceive Fair trains of images before me rise, Accompanied by feelings of delight Pure, or with no unpleasing sadness mixed.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
I, methought, while the sweet breath of heaven Was blowing on my body, felt within A correspondent breeze, that gently moved With quickening virtue, but is now become A tempest, a redundant energy, Vexing its own creation.