Everything's a film idea if this is what you do.I've always been secretly confident that I'd never run out of ideas,because I've never had any. I just live my life, see things theway I do, and I'm just looking for a notion to hang it all on.
I'm there [on Moana] with the other actors, so you play off one another. It's not just your idea of what the character is and what the world is like it would be in an animated [film], where it all sort of exists in your head. It's all right there, and if Diego's performance is doing what it's doing, it affects yours.
What ends up happening is people form images and the image they form is, in some ways, what they want it to be. The idea of trying to correct the image is something I'm not interested in doing.
There is an idea abroad among moral people that they should make their neighbors good. One person I have to make good: Myself. But my duty to my neighbor is much more nearly expressed by saying that I have to make him happy if I may.
But do you understand, I cry to him, do you understand that if you have the guillotine in the forefront, and with such glee, it's for the sole reason that cutting heads off is the easiest thing, and having an idea is difficult!
As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.
But the West is trying to weaken Islam from outside and inside. They attack our people and invade our countries from outside, and they weaken us from within with ideas like secularism, liberalism and democracy. This is all designed to contaminate our pure Islam.
Is it an original idea? Or is it something where you're literally a creative collagist? You're taking pieces of the world that you see around you and that are inside of you and put them together in a way that you see fit.
When forced to work within a strict framework, the imagination is taxed to its utmost and will produce its richest ideas. Given total freedom, the work is likely to sprawl.
I do not wish to be misunderstood upon this subject of slavery in this country. I suppose it may long exist, and perhaps the best way for it to come to an end peaceably is for it to exist for a length of time. But I say that the spread and strengthening and perpetuation of it is an entirely different proposition. There we should in every way resist it as a wrong, treating it as a wrong, with the fixed idea that it must and will come to an end.
It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur" - although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony - or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do - though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!
What we have forgotten is that thoughts and words are conventions, and that it is fatal to take conventions too seriously. A convention is a social convenience, as, for example, money ... but it is absurd to take money too seriously, to confuse it with real wealth ... In somewhat the same way, thoughts, ideas and words are "coins" for real things.
All conservatism is based upon the idea that if you leave things alone you leave them as they are. But you do not. If you leave a thing alone you leave it to a torrent of change.