And I will add this point of merely personal experience of humanity: when men have a real explanation they explain it, eagerly and copiously and in common speech, as Huxley freely gave it when he thought he had it. When they have no explanation to offer, they give short dignified replies, disdainful of the ignorance of the multitude.
Poetry is sane because it floats easily in an infinite sea; reason seeks to cross the infinite sea and so make it finite. The result is mental exhaustion. To accept everything is an exercise, to understand everything a strain.
It never occurred to him to be spiritually won over to the enemy. Many moderns, inured to a weak worship of intellect and force, might have wavered in their allegiance under this oppression of a great personality. . . . But this was a kind of modern meanness to which Syme could not sink even in his extreme morbidity. Like any man, he was coward enough to fear great force; but he was not coward enough to admire it.
O God of earth and altar,
Bow down and hear our cry,
Our earthly rulers falter,
Our people drift and die;
The walls of gold entomb us,
The swords of scorn divide,
Take not thy thunder from us,
But take away our pride.
We are passing into a social phase in which unless a heroic effort is made for human dignity and freedom, gold will be the sole method of government and therefore the sole standard of manners.
As an explanation of the world materialism has a sort of insane simplicity. It has the quality of a madman's arguments; we have at once the sense of it covering everything and the sense of it leaving everything out.
A man must be prepared not only to be a martyr, but to be a fool. It is absurd to say that a man is ready to toil and die for his convictions if he is not even ready to wear a wreathe around his head for them.
Pride consists in a man making his personality the only test, instead of making truth the test. The sceptic feels himself too large to measure life by the largest things; and ends by measuring it by the smallest thing of all.
According to most philosophers, God in making the world enslaved it. According to Christianity, in making it, He set it free. God had written, not so much a poem, but rather a play; a play he had planned as perfect, but which had necessarily been left to human actors and stage-managers, who had since made a great mess of it.