Nothing can be more depressing than to expose, naked to the light of thought, the hideous growth of argot. Indeed it is like a sort of repellent animal intended to dwell in darkness which has been dragged out of its cloaca. One seems to see a horned and living creature viciously struggling to be restored to the place where it belongs. One word is like a claw, another like a sightless and bleeding eye; and there are phrases which clutch like the pincers of a crab. And all of it is alive with the hideous vitality of things that have organized themselves amid disorganization.
Most commonly revolt is born of material circumstances; but insurrection is always a moral phenomenon. Revolt is Masaniello, who led the Neapolitan insurgents in 1647; but insurrection is Spartacus. Insurrection is a thing of the spirit, revolt is a thing of the stomach.
Idleness, pleasure, what abysses! To do nothing is a dreary course to take, be sure of it. To live idle upon the substance of society! To be useless, that is to say, noxious! This leads straight to the lowest depth of misery.
Thought is the work of the intellect, reverie is its self-indulgence. To substitute day-dreaming for thought is to confuse a poison with a source of nourishment.
God manifests himself to us in the first degree through the life of the universe, and in the second degree through the thought of man. The second manifestation is not less holy than the first. The first is named Nature, the second is named Art.
His universal compassion was due less to natural instinct, than to a profound conviction, a sum of thoughts that in the course of living had filtered through to his heart: for in the nature of man, as in rock, there may be channels hollowed by the dropping of water, and these can never be destroyed.
The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.