He passes, struck by the stare of truculent Wellington but in the convex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.
I have this complicated procedure I go through every morning, which is to look in the mirror and decide what I'm going to do. And I feel at that point, everybody's had their say.
Surely there had been no figure leaning on the back of his chair; no face looking over it. It is certain that no gliding footstep touched the floor, as he lifted up his head, with a start, and spoke. And yet there was no mirror in the room on whose surface his own form could have cast its shadow for a moment; and, Something had passed darkly and gone!
I suppose I had my rock star fantasies while I was singing into my hairbrush in the bathroom mirror, but I never really consciously said, 'OK, this is what I'm going to do for a living and I'm going to be Weird Al.'
The 19thc hatred of Realism is Caliban's enraged reaction to seeing his own face in the mirror. The 19thc rejection of Romanticism is Caliban's fury at not seeing his face reflected in the mirror.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself.
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.
We have to confront ourselves. Do we like what we see in the mirror? And, according to our light, according to our understanding, according to our courage, we will have to say yea or nay - and rise!
This autobiography of mine is a mirror, and I am looking at myself in it all the time. Incidentally I notice the people that pass along at my back - I get glimpses of them in the mirror - and whenever they say or do anything that can help advertise me and flatter me and raise me in my own estimation, I set these things down in my autobiography.