Do not forget, do not ever forget, that you have promised me to use the money to make yourself an honest man.' Valjean, who did not recall having made any promise, was silent. The bishop had spoken the words slowly and deliberately. He concluded with a solemn emphasis: Jean Valjean, my brother, you no longer belong to what is evil but to what is good. I have bought your soul to save it from black thoughts and the spirit of perdition, and I give it to God.
O darkness, the sky is a gloomy precinct Whose door you close, and whose key the soul owns; And night divides itself in half, being diabolical and holy, Between Ilis, the black angel, and Christ, the starry Human Being.
The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.
Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.
Every good quality runs into a defect; economy borders on avarice, the generous are not far from the prodigal, the brave man is close to the bully; he who is very pious is slightly sanctimonious; there are just as many vices to virtue as there are holes in the mantle of Diogenes.
The fact is that the beautiful, humanly speaking, is merely form considered in its simplest aspect, in its most perfect symmetry, in its most entire harmony with our make-up. Thus the ensemble that it offers us is always complete, but restricted like ourselves. What we call the ugly, on the contrary, is a detail of a great whole which eludes us, and which is in harmony, not with man but with all creation. That is why it constantly presents itself to us in new but incomplete aspects.
If it were (Is it not) outrageous that society should treat with such rigid precision those of its members who were most poorly endowed in the distribution or wealth that chance had made, and who were, therefore, most worthy of indulgence.