These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic calligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.
Who then understands the reciprocal flux and reflux of the infinitely great and the infinitely small, the echoing of causes in the abysses of being, and the avalanches of creation?
These are dark radiances. They have no suspicion that they are to be pitied. Certainly they are so. He who does not weep does not see. They are to be admired and pitied, as one would both pity and admire a being at once night and day, without eyes beneath his lashes but with a star on his brow.
Wonderful nature has a double meaning, which dazzles great minds and blinds uncultivated souls. When man is ignorant, when the desert is filled with visions, the darkness of solitude is added to the darkness of intelligence; hence, in man, the possibilities of perdition
O darkness, the sky is a gloomy precinct Whose door you close, and whose key the soul owns; And night divides itself in half, being diabolical and holy, Between Ilis, the black angel, and Christ, the starry Human Being.