Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter - to-morrow we will run faster, stretch out our arms farther ... And one fine morning ---
Joan Crawford is doubtless the best example of the flapper, the girl you see in smart night clubs, gowned to the apex of sophistication, toying iced glasses with a remote, faintly bitter expression, dancing deliciously, laughing a great deal, with wide, hurt eyes. Young things with a talent for living.
I love this simply because it's cute, and I guess it's a sign of the times in many respect. It's pretty much saying you complete me, only in the sweetest way possible.
The purpose of a work of fiction is to appeal to the lingering after-effects in the reader's mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.
Boredom is not an end-product, is comparatively rather an early stage in life and art. You've got to go by or past or through boredom, as through a filter, before the clear product emerges.
Stahr's eyes and Kathleen's met and tangled. For an instant they made love as no one ever dares to do after. Their glance was slower than an embrace, more urgent than a call.
As soon as I arrived I made an attempt to find my host but the two or three people of whom I asked his whereabouts stared at me in such an amazed way and denied so vehemently an knowledge of his movements that I slunk off in the direction of the cocktail table--the only place in the garden where a single man could linger without looking purposeless and alone.
I never believe much in happiness. I never believe in misery either. Those are things you see on the stage or the screen or the printed page, they never really happen to you in life.