At thirty years a woman asks her lover to give her back the esteem she has forfeited for his sake; she lives only for him, her thoughts are full of his future, he must have a great career, she bids him make it glorious; she can obey, entreat, command, humble herself, or rise in pride; times without number she brings comfort when a young girl can only make moan.
True love is mixed up with birdlike squabbles, in which the disputants wound each other to the quick; but a quarrel without animus is, on the contrary, apiece of flattery to the dupe's conceit.
Fools gain greater advantages through their weakness than intelligent men through their strength. We watch a great man struggling against fate and we do not lift a finger to help him. But we patronize a grocer who is headed for bankruptcy.
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
It is as absurd to say that a man can't love one woman all the time as it is to say that a violinist needs several violins to play the same piece of music.