In every great time there is some one idea at work which is more powerful than any other, and which shapes the events of the time and determines their ultimate issues.
There was a young man in Rome that was very like Augustus Caesar; Augustus took knowledge of it and sent for the man, and asked him "Was your mother never at Rome?" He answered "No Sir; but my father was."
Nay, number itself in armies importeth not much, where the people is of weak courage; for, as Virgil saith, It never troubles the wolf how many the sheep be.
I foresee it and yet I hardly ever carry it out as I foresee it. It transforms itself by the actual paint. I don't in fact know very often what the paint will do, and it does many things which are very much better than I could make it do.
Libraries are as the shrine where all the relics of the ancient saints, full of true virtue, and that without delusion or imposture, are preserved and reposed.
I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
The first question concerning the Celestial Bodies is whether there be a system, that is whether the world or universe compose together one globe, with a center, or whether the particular globes of earth and stars be scattered dispersedly, each on its own roots, without any system or common center.
The human understanding is of its own nature prone to suppose the existence of more order and regularity in the world than it finds. And though there be many things in nature which are singular and unmatched, yet it devises for them parallels and conjugates and relatives which do not exist. Hence the fiction that all celestial bodies move in perfect circles, spirals and dragons being (except in name) utterly rejected.