A temperament capable of receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art.
The belief that established science and scholarship--which have so relentlessly excluded women from their making--are "objective"and "value-free" and that feminist studies are "unscholarly," "biased," and "ideological" dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological; there is no neutrality in culture!
All the great masters have understood that there cannot be great art without the little limited life of the fable, which is always better the simpler it is, and the rich, far-wandering, many-imaged life of the half-seen world beyond it
REPLICA, n. A reproduction of a work of art, by the artist that made the original. It is so called to distinguish it from a "copy," which is made by another artist. When the two are mae with equal skill the replica is the more valuable, for it is suppose
We cannot enter into alliances until we are acquainted with the designs of our neighbors. We are not fit to lead an army on the march unless we are familiar with the face of the country.
Art creates an incomparable and unique effect, and, having done so, passes on to other things. Nature, upon the other hand, forgetting that that imitation can be made the sincerest form of insult, keeps on repeating this effect until we all become absolutely wearied of it.
Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can't invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.
To see distinctly the machinery--the wheels and pinions--of any work of Art is, unquestionably, of itself, a pleasure, but one which we are able to enjoy only just in proportion as we do not enjoy the legitimate effect designed by the artist.
Theater, art, literature, cinema, press, posters, and window displays must be cleansed of all manifestations of our rotting world and placed in the service of a moral, political, and cultural idea.
Yet again, the more you strive for some kind of perfection or mastery—in morals, in art or in spirituality—the more you see that you are playing a rarified and lofty form of the old ego-game, and that your attainment of any height is apparent to yourself and to others only by contrast with someone else's depth or failure.