When a friend calls to me from the road And slows his horse to a meaning walk, I don't stand still and look around On all the hills I haven't hoed, And shout from where I am, What is it? No, not as there is a time to talk. I thrust my hoe in the mellow ground, Blade-end up and five feet tall, And plod: I go up to the stone wall For a friendly visit.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true." - W. H. Auden
"A poem...begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness...It finds the thought and the thought finds the words.
Far in the pillared dark Thrush music went- Almost like a call to come in To the dark and lament. But no, I was out for stars: I would not come in. I meant not even if asked, And I hadn't been.
"If it were a dog, it would have bitten you already." Actual Twents: "At e ne hond was, dan e oew allange ebettene." Meaning: Said to someone who is looking for something which is right under his nose. Source: Twents Woordenbook. Twents in Woord en Gebruik.
We can make a little order where we are, and then the big sweep of history on which we can have no effect doesn't overwhelm us. We do it with colors, with a garden, with the furnishings of a room, or with sounds and words. We make a little form, and we gain composure.
I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye.