When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust; or a tree that is damaged. I love trying to render not just the object, but what it has been through.
Tall oaks grow from little acorns.Testing. This is the text of an item. Testing. Origin. Testing. Quoted. Testing. Source. The diligent farmer plants trees, of which he himself will never see the fruit.
PALM, n. A species of tree . . . of which the familiar "itching palm" ("Palma hominis") is most widely distributed . . . . This noble vegetable exudes a kind of invisible gum, which may be detected by applying to the bark a piece of gold or silver.
The body is a sensing instrument of consciousness. Without the body and mind,
the trees could not see themselves. Usually we think that we are looking at a tree, but the tree is looking at itself through us. Without this instrument, the tree does not get to see itself. We are sensing instruments of the Divine.
Everything comes to us that belongs to us if we create the capacity to receive it. Every difficulty slurred over will be a ghost to disturb your repose later on. Emancipation from the bondage of the soil is no freedom for the tree.
There are moments when a rope's end, a pole, the branch of the tree, is life itself, and it is a frightful thing to see a living being lose his hold upon it, and fall like a ripe fruit.
It takes place, by and large, with the same sort of necessity as a tree brings forth fruit, and demands of the world no more than a soil on which the individual can flourish.
We're all nothing but unified arrangements of atoms and particles, drifting around, enjoying consciousness every now and then for a second or so before splitting up to become bits and pieces of trees and stars and french fries.