There is much in nature against us. But we forget:
Take nature altogether since time began,
Including human nature, in peace and war,
And it must be a little more in favor of man.
Sarcastic Science, she would like to know,
In her complacent ministry of fear,
How we propose to get away from here
When she has made things so we have to go
Or be wiped out. Will she be asked to show
Us how by rocket we may hope to steer
To some star off there, say, a half light-year
Through temperature of absolute zero?
Why wait for Science to supply the how
When any amateur can tell it now?
The way to go away should be the same
As fifty million years ago we came-
If anyone remembers how that was
I have a theory, but it hardly does.
Nor is there wanting in the press Some spirit to stand simply forth, Heroic in it nakedness, Against the uttermost of earth. The tale of earth's unhonored things Sounds nobler there than 'neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one.
I do not see why I should e’er turn back, Or those should not set forth upon my track To overtake me, who should miss me here And long to know if still I held them dear. They would not find me changed from him they knew — Only more sure of all I thought was true.
Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.
I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye.
You don't have to deserve your mother's love. You have to deserve your father s. He's more particular. The father is always a Republican towards his son, and his mother's always a Democrat.
It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound-that he will never get over it.