A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true." - W. H. Auden
"A poem...begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness...It finds the thought and the thought finds the words.
When the spent sun throws up its rays on cloud And goes down burning into the gulf below, No voice in nature is heard to cry aloud At what has happened. Birds, at least must know It is the change to darkness in the sky. Murmuring something quiet in her breast, One bird begins to close a faded eye; Or overtaken too far from his nest, Hurrying low above the grove, some waif Swoops just in time to his remembered tree. At most he thinks or twitters softly, 'Safe! Now let the night be dark for all of me. Let the night be too dark for me to see Into the future. Let what will be, be.
The city is all right. To live in one
Is to be civilized, stay up and read
Or sing and dance all night and see sunrise
By waiting up instead of getting up.
The mind-is not the heart. I may yet live, as I know others live, To wish in vain to let go with the mind- Of cares, at night, to sleep; but nothing tells me That I need learn to let go with the heart.
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.
You've often heard me say - perhaps too often - that poetry is what is lost in translation. It is also what is lost in interpretation. That little poem means just what it says and it says what it means, nothing less but nothing more.
There are two kinds of teachers: the kind that fill you with so much quail shot that you can't move, and the kind that just gives you a little prod behind and you jump to the skies.