When Walt Whitman writes in seeming defiance of tradition, he needs tradition for his protection, for the butcher and the baker and the candlestick-maker grow merry over him when they meet his work by chance.
I sat on cushioned otter-skin:
My word was law from Ith to Emain,
And shook at Invar Amargin
The hearts of the world-troubling seamen,
And drove tumult and war away.
Though leaves are many, the root is one; Through all the lying days of my youth I swayed my leaves and flowers in the sun Now I may wither into the truth.
Labor is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance How can we know the dancer from the dance?
Lionel Johnson comes the first to mind,
That loved his learning better than mankind,
Though courteous to the worst; much falling he
Brooded upon sanctity.
If I make the lashes dark And the eyes more bright And the lips more scarlet, Or ask if all be right From mirror after mirror, No vanity's displayed: I'm looking for the face I had Before the world was made.