The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.
What shall I do with this absurdity- O heart, O troubled heart-this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible.
Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
Never to have lived is best, ancient writers say. Never to have drawn the breath of life, never to have looked into the eye of day; The second best's a gay goodnight and quickly turn away.
As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly.
Do you not hear me calling, white deer with no horns?
I have been changed to a hound with one red ear;
I have been in the Path of Stones and the Wood of Thorns.