How can I, that girl standing there, My attention fix On Roman or on Russian Or on Spanish politics? Yet here's a travelled man that knows What he talks about, And there's a politician That has read and thought, And maybe what they say is true Of war and war's alarms, But O that I were young again And held her in my arms!
But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough
And pressed at midnighht in some public place
Live lips upon a plummet-measured face.
The night can sweat with terror as before We pieced our thoughts into philosophy, And planned to bring the world under a rule, Who are but weasels fighting in a hole.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.
All things uncomely and broken, all things worn out and old The cry of a child by the roadway, the creak of a lumbering cart, The heavy steps of the plowman, splashing the wintry mold, Are wronging your image that blossoms a rose in the deeps of my heart.
Florence Farr once said to me, If we could say to ourselves, with sincerity, 'this passing moment is as good as any I shall ever know,' we could die upon the instant and be united with God.
What can books of men that wive
In a dragon-guarded land,
Paintings of the dolphin-drawn
Sea-nymphs in their pearly wagons
Do, but awake a hope to live...?