The states in which we infuse a transfiguration and a fullness into things and poetize about them until they reflect back our fullness and joy in life... three elements principally: sexuality, intoxication and cruelty all belonging to the oldest festal joys.
Every characteristic absence of spirituality, every piece of common vulgarity, is due to an inability to resist a stimulus - you have to react, you follow every impulse.
The significance of language for the evolution of culture lies in this, that mankind set up in language a separate world beside the other world, a place it took to be so firmly set that, standing upon it, it could lift the rest of the world off its hinges and make itself master of it. To the extent that man has for long ages believed in the concepts and names of things as in aeternae veritates he has appropriated to himself that pride by which he raised himself above the animal: he really thought that in language he possessed knowledge of the world.
Gradually it has become clear to me what every great philosophy so far has been: namely, the personal confession of its author and a kind of involuntary and unconscious memoir.
Artists may here have a more subtle scent: they know only too well that it is precisely when they cease to act 'voluntarily' and do everything of necessity that their feeling of freedom, subtlety, fullness of power, creative placing, disposing, shaping reaches its height - in short, that necessity and 'freedom of will' are then one in them.
The most intelligent men, like the strongest, find their happiness where others would find only disaster: in the labyrinth, in being hard with themselves and with others, in effort; their delight is self-mastery; in them asceticism becomes second nature, a necessity, as instinct.