The architect represents neither a Dionysian nor an Apollinian condition: here it is the mighty act of will, the will which moves mountains, the intoxication of the strong will, which demands artistic expression. The most powerful men have always inspired the architects; the architect has always been influenced by power.
Women are constituted in such a way that all truth (regarding men, love, children, society, the purpose of life) disgusts them, and in such a way that they try to revenge themselves on anyone who opens their eyes.
One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
The less men are fettered by tradition, the greater becomes the inward activity of their motives, and greater again in proportion to their outer restlessness.
To get into just those situations where sham virtues will not suffice, but rather where, as with the ropedancer on his rope, one either falls or stands--or gets down.
From the sun did I learn this, when it goeth down, the exuberant one: gold doth it then pour into the sea, out of inexhaustible riches, -So that the poorest fisherman roweth even with golden oars! For this did I once see, and did not tire of weeping in beholding it. - Like the sun will also Zarathustra go down: now sitteth he here and waiteth, old broken tables around him, and also new tables half-written.
We must beware of one who is in a passion against us as of one who has once sought our life; for the fact that we still live is due to the absence of power to kill, - if looks could kill, we should have been dead long ago.