To get into just those situations where sham virtues will not suffice, but rather where, as with the ropedancer on his rope, one either falls or stands--or gets down.
Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pride - they decline with the ugly, they increase with the beautiful.
The unlucky hand dealt to clear and precise writers is that people assume they are superficial and so do not go to any trouble inreading them: and the lucky hand dealt to unclear ones is that the reader does go to some trouble and then attributes the pleasure he experiences in his own zeal to them.
Lust and self-mutilation are closely related impulses. There are also self-mutilators among knowers: they do not want to be creators under any circumstances.
We have no organ at all for knowledge, for truth: we know (or believe or imagine) precisely as much as may be useful in the interest of the human herd, the species: and even what is here called usefulness is in the end only a belief, something imagined and perhaps precisely that most fatal piece of stupidity by which we shall one day perish.
Books and drafts mean something quite different for different thinkers. One collects in a book the lights he was able to steal and carry home swiftly out of the rays of some insight that suddenly dawned on him, while another thinker offers us nothing but shadows - images in black and grey of what had built up in his soul the day before.